One of the things I wanted to explore with Jaime, and with so many of the characters, is the whole issue of redemption. When can we be redeemed? Is redemption even possible? I don’t have an answer. But when do we forgive people? You see it all around in our society, in constant debates…
…I don’t know the answer, but these are questions worth thinking about. I want there to be a possibility of redemption for us, because we all do terrible things. We should be able to be forgiven. Because if there is no possibility of redemption, what’s the answer then?
Both Jaime and Cersei are clearly despicable in those moments. Later, though, we see a more humane side of Jaime when he rescues a woman, who had been an enemy, from rape. All of a sudden we don’t know what to feel about Jaime.
One of the things I wanted to explore with Jaime, and with so many of the characters, is the whole issue of redemption. When can we be redeemed? Is redemption even possible? I don’t have an answer. But when do we forgive people?
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I’ve read quite a few posts on tumblr and elsewhere that claim the sept scene in the books is also a rape scene, and frankly, it surprises me.
Whether it’s comfortable or not, whether we like that GRRM wrote it this way or not, what is clear is that, in the books, Cersei and Jaime have a “no means yes” component to their sexual relationship, and it’s evident from the first time we witness them having sex. From Bran’s chapter in AGoT:
Bran looked in the window.
Inside the room, a man and a woman were wrestling. They were both naked. Bran could not tell who they were. The man’s back was to him, and his body screened the woman from view as he pushed her up against a wall.
There were soft, wet sounds. Bran realized they were kissing. He watched, wide-eyed and frightened, his breath tight in his throat. The man had a hand down between her legs, and he must have been hurting her there, because the woman started to moan, low in her throat. “Stop it,” she said, “stop it, stop it. Oh, please…” But her voice was low and weak, and she did not push him away. Her hands buried themselves in his hair, his tangled golden hair, and pulled his face down to her breast.
Bran saw her face. Her eyes were closed and her mouth was open, moaning. Her golden hair swung from side to side as her head moved back and forth, but still he recognized the queen.
Again, this may trouble readers, but it’s clear that while Cersei is indeed saying “stop it”, she is also leading Jaime in consensual sex – she guides him to her breasts.
So when we come to the sept scene in ASoS, there is context to Cersei saying “no” feebly and Jaime kissing her protests away. It’s also clear she’s protesting the location, not the sex itself. From ASoS:
She touched his face. “I was lost without you, Jaime. I was afraid the Starks would send me your head. I could not have borne that.” She kissed him. A light kiss, the merest brush of her lips on his, but he could feel her tremble as he slid his arms around her. “I am not whole without you.”
There was no tenderness in the kiss he returned to her, only hunger. Her mouth opened for his tongue. “No,” she said weakly when his lips moved down her neck, “not here. The septons … ”
“The Others can take the septons.” He kissed her again, kissed her silent, kissed her until she moaned. Then he knocked the candles aside and lifted her up onto the Mother’s altar, pushing up her skirts and the silken shift beneath. She pounded on his chest with feeble fists, murmuring about the risk, the danger, about their father, about the septons, about the wrath of gods. He never heard her. He undid his breeches and climbed up and pushed her bare white legs apart. One hand slid up her thigh and underneath her smallclothes. When he tore them away, he saw that her moon’s blood was on her, but it made no difference.
“Hurry,” she was whispering now, “quickly, quickly, now, do it now, do me now. Jaime Jaime Jaime.” Her hands helped guide him. “Yes,” Cersei said as he thrust, “my brother, sweet brother, yes, like that, yes, I have you, you’re home now, you’re home now, you’re home.” She kissed his ear and stroked his short bristly hair. Jaime lost himself in her flesh. He could feel Cersei’s heart beating in time with his own, and the wetness of blood and seed where they were joined.
But no sooner were they done than the queen said, “Let me up. If we are discovered like this … ”
Again, while I think those who are disturbed or bothered by this aspect of their relationship as GRRM has written it have a legitimate issue, it still doesn’t mean that it doesn’t exist in the novels. The scene in the sept is meant to be disturbing, as GRRM said on his blog just days ago. But not because it’s rape.
“Hurry,” she was whispering now, “quickly, quickly, now, do it now, do me now. Jaime Jaime Jaime.” Her hands helped guide him. “Yes,” Cersei said as he thrust, “my brother, sweet brother, yes, like that, yes, I have you, you’re home now, you’re home now, you’re home.”
This is off topic here. This is the section for comments about Junot Diaz and Anne Perry and the Cocteau’s author program.
Since a lot of people have been emailing me about this, however, I will reply… but please, take any further discussion of the show to one of the myriad on-line forums devoted to that. I do not want long detailed dissections and debates about the TV series here on my blog.
As for your question… I think the “butterfly effect” that I have spoken of so often was at work here. In the novels, Jaime is not present at Joffrey’s death, and indeed, Cersei has been fearful that he is dead himself, that she has lost both the son and the father/ lover/ brother. And then suddenly Jaime is there before her. Maimed and changed, but Jaime nonetheless. Though the time and place is wildly inappropriate and Cersei is fearful of discovery, she is as hungry for him as he is for her.
The whole dynamic is different in the show, where Jaime has been back for weeks at the least, maybe longer, and he and Cersei have been in each other’s company on numerous occasions, often quarreling. The setting is the same, but neither character is in the same place as in the books, which may be why Dan & David played the sept out differently. But that’s just my surmise; we never discussed this scene, to the best of my recollection.
Also, I was writing the scene from Jaime’s POV, so the reader is inside his head, hearing his thoughts. On the TV show, the camera is necessarily external. You don’t know what anyone is thinking or feeling, just what they are saying and doing.
If the show had retained some of Cersei’s dialogue from the books, it might have left a somewhat different impression — but that dialogue was very much shaped by the circumstances of the books, delivered by a woman who is seeing her lover again for the first time after a long while apart during which she feared he was dead. I am not sure it would have worked with the new timeline.
That’s really all I can say on this issue. The scene was always intended to be disturbing… but I do regret if it has disturbed people for the wrong reasons."
I can only hope D&D are having a very bad, no good Monday.